michael dirda造句
例句與造句
- Michael Dirda said in an interview : " Tom Sharpe is very funny but exceptionally vulgar, crude and offensive.
- According to Michael Dirda, " Ripley Under Ground " considers authenticity, and the difference between appearance and reality.
- In " The American Scholar ", Michael Dirda criticized the novel's " consummate, unmitigated tedium ."
- Michael Dirda of the " Guernica " described Salter as having " a good claim to being the greatest living American novelist ."
- It featured Pulitzer Prize winning critics such as Jonathan Yardley and Michael Dirda, the latter of whom established his career as a critic at the " Post ".
- It's difficult to find michael dirda in a sentence. 用michael dirda造句挺難的
- According to critic Michael Dirda, " No one writes more lyrically [ than Matthiessen ] about animals or describes more movingly the spiritual experience of mountaintops, savannas, and the sea ."
- "I was thrilled when Wolfe finally encountered his own Moriarty in the archvillain Arnold Zeck, " wrote Michael Dirda, Pulitzer Prize-winning book critic for " The Washington Post ".
- He's published sixteen Pulitzer Prize winners ( Michael Dirda, N . Scott Momaday, and Tina Rosenberg among them ); seven Bancroft history prize winners; [ and ] seven MacArthur fellowship winners .
- _BIOGRAPHY : Michael Dirda, deputy editor, Book World, The Washington Post ( chair ); Sissela Bok, writer and philosopher, Cambridge, Mass .; Arnold Rampersad, professor of English, Stanford University.
- Michael Dirda said in " The Washington Post " that Anyone who loves classic English mysteries from the 1920s through the 40s will revel in the highly anecdotal " The Golden Age of Murder " .
- The Washington Post published a lengthy review by Michael Dirda ( For the first time in English the Argentine labyrinths of Edgar Brau ) in which he states that Brau's works are further explorations of Borges磄eography of the imagination.
- The ability of a classic book to be reinterpreted, to seemingly be renewed in the interests of generations of readers succeeding its creation, is a theme that is seen in the writings of literary critics including Michael Dirda, Ezra Pound, and Saint-Beuve.
- In " The New York Review of Books " in 2007, Michael Dirda suggested that disparaging criticism of Oates " derives from reviewer's angst : How does one judge a new book by Oates when one is not familiar with most of the backlist?
- Michael Dirda, of The Washington Post, wrote that " by no means a bad book, " The Swerve " simply sets its intellectual bar too low, complacently relying on commonplaces in its historical sections and never engaging in an imaginative or idiosyncratic way ".
- Michael Dirda, for " The Washington Post ", called the novel " exuberantly comic ", concluding that " in its seemingly effortless blend of the serious, comic and fantastic, Johnson's " Pym " really shouldn't be missed ".
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